Why don’t I like this kind of writing? Because it never addresses the gameness of a game; it breaks it down into component parts – story, graphics, sounds – that feel familiar from other disciplines, and are inevitably criticised as such.

Why don’t I like this kind of writing? Because it never addresses the gameness of a game; it breaks it down into component parts – story, graphics, sounds – that feel familiar from other disciplines, and are inevitably criticised as such.

—Infovore » The most compelling case should be for game-ness